

The long and complex shift in our culture from analog media to digital media is the most significant transformation of our generation. Its long-reaching and manifold effects continue to permeate all modes of visual expression. Although, one of the most interesting shifts in painting has nothing to do with the media used, but instead the forms, composition, and content. Digital tools have affected our imaginary, the logic of Photoshop or pixelation shapes a painter’s approach to color, form, depth, shade, tone, volume; all the parameters that guide the application of paint to canvas. Content of paintings has been affected as well as the meaning, as the viewer takes in the work or communicates it. In this context, the aim of "Cut, Copy, Paste" is to make the observer reflect on the fact that the showcased artworks were not even conceivable before digital imaging changed the structure of our images.
This group show brings together five artists whose creative research focuses on the changes that the digital era has brought in the art field. The exploration starts with the algorithmic processes with whom Carter Flachbarth synthesizes into a single image, through an app he developed himself, all the drawings and writings he has recorded of his daily life.
Katelyn Ledford is instead centered on the use of shapes, symbols, and images sourced from the digital to create de-constructed representations through various speeds and methods of painting, such as meticulous oil painting, spray paint, and collaged materials. Youada portrays new characters born from the youth and street contemporary culture. Through its all-digital painting technique, DotPigeon depicts contrasting sceneries that allude to the controversial contraposition between the conscious and the unconscious, perfection, and chaos. Evgen Čopi Gorišek, takes his subjects from the web and translates them into paintings, thus creating a deep connection between his artworks and the digital world. It is through a fine process of cutting, copying, and pasting that Evgen replicates the 3D spaces, the shadows, the skin tones and small details of the original image.
ARTWORKS
.jpg)
Carter Flackbarth
Hmmm, 2020
Acrylic on canvas
96,5 x 96,5 cm

Evgen Čopi Gorišek
That Could Be My Profile Picture, 2020
Acrylic, spray paint and oil pastels on canvas 120 x 100 cm
Katelyn Ledford
Get a Load of This Hot Mess, 2020
Acrylic, oil, and molding paste on embossed canvas
152,4 x 122 cm


DotPigeon
Holiday Kill
Digital painting printed on canvas
115 x 82 cm

Youada
Scenery in Memory Black Apple, 2020
Acrylic on canvas
80 x 60 cm

Evgen Čopi Gorišek
It Could Have Been Worse, 2020
Acrylic and spray paint on canvas
60 x 60 cm

Katelyn Ledford
Smile ?, 2020
Acrylic, oil, and molding paste on canvas
60,9 x 45,7 cm
DotPigeon
Hold My Moët While I Pee In Your Pool, 2020
Digital painting printed on canvas
115 x 82 cm

.jpg)
Carter Flackbarth
Quarantine, 2020
Acrylic on canvas
45,7 x 55,8 cm
Youada
Shamate, 2020
Acrylic on canvas
80 x 60 cm
.jpg)

Katelyn Ledford
Housewives, 2020
Acrylic, oil and molding paste on canvas
101,6 x 76,2 cm

Evgen Čopi Gorišek
That Could Be My Cover Picture, 2020
Acrylic, spray paint and oil pastels on canvas
170 x 150 cm
Carter Flackbarth
Suffer, 2020
Acrylic on canvas
60,96 x 76,2 cm
.jpg)

DotPigeon
Wearing Palace In My Palace, 2020
Digital painting printed on canvas
115 x 82 cm
Evgen Copi Gorisek
The Moment Of Truth, 2020
Acrylic, spray paint and oil pastels on canvas
90 x80 cm


DotPigeon
What a Beautiful Day To Mow The Lawn, 2020
Digital painting printed on canvas
115 x 82 cm
.jpg)
Carter Flackbarth
Crime, 2020
Acrylic on canvas
101,6 x 127 cm